
Roberta Flack’s Roberta (1994) is truly a gem, a testament to her ability to breathe new life into jazz and soul classics – Wikipedia](https://en.wikipedia.org/wiki/Roberta_%28album%29). With her signature warmth and depth, she reimagined tracks like “The Thrill Is Gone”
and “It Might Be You”,
crafting an album that is both timeless and deeply moving, 1994 [r4481125] | Discogs](https://www.discogs.com/release/4481125-Roberta-Flack-Roberta). The collaboration with artists like Gwen Guthrie, Ivan Hampden, Tony Terry, and Andre Smith added layers of richness to the project, 1994 [r4481125] | Discogs](https://www.discogs.com/release/4481125-Roberta-Flack-Roberta).
It was also her final album for Atlantic Records, marking the end of a 25-year journey with the label – Wikipedia](https://en.wikipedia.org/wiki/Roberta_%28album%29). The album even earned a Grammy nomination for Best Traditional Pop Vocal Performance – Wikipedia](https://en.wikipedia.org/wiki/Roberta_%28album%29).
Mesmerizing, enchanting, and pure soul. Roberta (1994) is a masterclass in soulful reinterpretation, and each track carries its own unique essence. Here’s a deeper dive into the album’s standout songs:
“Sweet Georgia Brown” – A playful, jazzy take on the 1925 standard, Flack injects warmth and sophistication into the track. The instrumentation is crisp, and her vocal delivery is effortlessly smooth.
“Looking for Another Pure Love” – A Stevie Wonder composition, this track is a standout moment on the album. Flack’s interpretation is tender yet powerful, with a dreamy arrangement that complements her voice beautifully.
“Prelude to a Kiss”
“Prelude to a Kiss” – A Duke Ellington classic, Flack’s version is pure elegance. She delivers it with a delicate touch, making it feel like a whispered confession of love.
Sweet Georgia Brown
“Sweet Georgia Brown” – A playful, jazzy take on the 1925 standard, Flack injects warmth and sophistication into the track. The instrumentation is crisp, and her vocal delivery is effortlessly smooth.
Track-by-Track Review of Roberta
- “The Thrill Is Gone” – Flack’s rendition of this blues classic is hauntingly beautiful. She slows it down, adding layers of melancholy with her velvety vocals, making it feel like a lament rather than just a song about lost love.
- “It Might Be You” – Originally a soft rock ballad, Flack transforms it into a lush, jazz-infused piece. Her phrasing is impeccable, and the arrangement allows the song to breathe, making it feel intimate and deeply personal.
- “Sweet Georgia Brown” – A playful, jazzy take on the 1925 standard, Flack injects warmth and sophistication into the track. The instrumentation is crisp, and her vocal delivery is effortlessly smooth.
- “Looking for Another Pure Love” – A Stevie Wonder composition, this track is a standout moment on the album. Flack’s interpretation is tender yet powerful, with a dreamy arrangement that complements her voice beautifully.
- “I Can See the Sun in Late December” – This song is a hidden gem, showcasing Flack’s ability to tell a story through music. The orchestration is grand, yet her vocals remain the focal point, pulling the listener into a reflective, almost cinematic experience.
- “Come Ye Disconsolate” – A deeply spiritual and moving track, Flack’s rendition is filled with emotion. The harmonies are rich, and the arrangement is minimal, allowing the raw power of the lyrics to shine through.
- “Prelude to a Kiss” – A Duke Ellington classic, Flack’s version is pure elegance. She delivers it with a delicate touch, making it feel like a whispered confession of love.
- “Angel Eyes” – This jazz standard is given a sultry, late-night feel. Flack’s voice glides effortlessly over the moody instrumentation, making it one of the most atmospheric tracks on the album.
- “Tenderly” – A soft, romantic ballad, Flack’s interpretation is warm and inviting. The arrangement is simple yet effective, allowing her voice to take center stage.
- “Cottage for Sale” – A heartbreaking song about lost love, Flack’s delivery is poignant and deeply emotional. The stripped-down arrangement enhances the sorrowful tone, making it one of the most affecting tracks on the album.
Final Thoughts
Roberta Flack’s Roberta is a testament to her ability to take well-known songs and make them entirely her own. The album is a blend of jazz, soul, and blues, all tied together by her unmistakable voice. It’s a mesmerizing listen, perfect for those who appreciate music that speaks to the soul.
Chocolate Soul Music Magazine—a publication that celebrates the richness of soul music.
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